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Rajesh Parameswaran | Interview

Rajesh Parameswaran & Yuka Igarashi

‘I could tell you that love and violence are basic forces interwoven through all of nature and human affairs, and that’s why I mix the two.’

Taiye Selasi | Interview

Yuka Igarashi & Taiye Selasi

‘I was rather surprised to discover that I’d painted such a devastating portrait.’

‘They’: Stalin’s Polish Élite

Teresa Toranska

‘You referred to a comrade as ‘Mister’. That's offensive.’

Interview

Fiona Benson & Rachael Allen

‘I’ve always wanted to write from the gut, to write instinctively rather than cerebrally.’

David McConnell | Interview

David McConnell & Patrick Ryan

‘These were deranged acts but they were ultimately based on something that’s historically been treated as a social good, the sense of personal honour.’

The Exploding Planet of Junot Díaz

Evelyn Ch’ien

‘The world tends to give us pieces, and then in our imagination, because of our desire and because of our need, we make them whole.’

Interviews of the Boys from the War

Daniel Kon

‘But you had to be on the islands to know what it was really all about.’

Anjan Sundaram and Lindsey Hilsum In Conversation

Lindsey Hilsum & Anjan Sundaram

‘Sometimes we don’t quite know what we’re seeing.’

Julie Otsuka | Interview

Julie Otsuka & Patrick Ryan

‘Using the ‘we’ voice allowed me to tell a much larger story than I would have been able to tell otherwise.’

Turkish Granta | Interview

Berrak Gocer & Ted Hodgkinson

‘The writings, when they came together, made it very clear that there will always be a new approach to the issue of identity.’

The Stone-Thrower from Eisenhuttenstadt

Max Thomas Mehr & Regine Sylvester

‘It has nothing to do with the question of the foreigners. No one in Eisenhuttenstadt wants the foreigners here.’

Karen Russell | Interview

Karen Russell & Patrick Ryan

‘I think it’s impossible to draw a hard and fast line between reality and fantasy.’

In Conversation: Tishani Doshi and Karthika Naïr

Tishani Doshi & Karthika Naïr

‘I have never felt it as a poet, and that is why I’m doubly grateful to dance, for having experienced the loneliness and the terror of the empty stage, but also, to have had that live connection.’