Explore In conversation
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Mario Levrero | Best Untranslated Writers
Juan Pablo Villalobos
‘I knew he was a ‘strange’ writer, unclassifiable, with a boundless imagination, who was creating one of the most intriguing, thought-provoking bodies of work in the Spanish language.’
Peter Hobbs | Interview
Peter Hobbs & Roy Robins
‘Illness is solitary, because suffering is something you always do alone.’
Ian Teh | Interview
Ian Teh & Ted Hodgkinson
‘The pictures I take are fly-on-the-wall and open to interpretation.’
Shahid | Moving Parts
Ruchir Joshi
Ruchir Joshi travelled around rural India for our ‘Work’ issue, documenting parts of the country’s informal economy, and meeting people with working lives that are unseen, or unique, or damaging.
Don DeLillo | Interview
Don DeLillo & Yuka Igarashi
‘The stories are representative of one slice of mind. The novels are mind, body, day and night, and what I ate for lunch.’
Turkish Granta | Interview
Berrak Gocer & Ted Hodgkinson
‘The writings, when they came together, made it very clear that there will always be a new approach to the issue of identity.’
Karen Russell | Interview
Karen Russell & Patrick Ryan
‘I think it’s impossible to draw a hard and fast line between reality and fantasy.’
Edinburgh Book Festival Special | Podcast
Kapka Kassabova & Peter Stamm
In this special Edinburgh Book Festival edition of the Granta Podcast Laura Barber talks to Kapka Kassabova (Street Without a Name, Twelve Minutes of Love) and Peter Stamm (Seven Years) about the often paradoxical relationship between writing and place.
P.D. Mallamo | Interview
P. D. Mallamo & Roy Robins
‘Writing and reading in third-person present is like a high-speed drive through Nevada at two a.m.: incredibly invigorating and somewhat dangerous.’
Moscow Women
Carola Hansson & Karin Lidén
‘She’s young, then suddenly she’s old, and she’s buried without knowing why she ever lived.’
David Heatley | Interview
David Heatley & Simon Willis
‘There’s something magical about a pictographic doodle that’s simple enough to scan and then move on.’
