Granta | The Home of New Writing

Explore In conversation

Mark Haddon | Podcast

Mark Haddon

‘Sean finds a log to use as a shooting gallery and sends Daniel off in search of targets.’

Adam Thirlwell on Michel Laub

Michel Laub & Adam Thirlwell

‘The thing I really love about this story is how it manages its matryoshka feat – to be at once a free floating meditation, leaping like some street cat from wall to wall, while also going deeper and deeper into a single theme.’

David McConnell | Interview

David McConnell & Patrick Ryan

‘These were deranged acts but they were ultimately based on something that’s historically been treated as a social good, the sense of personal honour.’

Rajesh Parameswaran | Interview

Rajesh Parameswaran & Yuka Igarashi

‘I could tell you that love and violence are basic forces interwoven through all of nature and human affairs, and that’s why I mix the two.’

The Exploding Planet of Junot Díaz

Evelyn Ch’ien

‘The world tends to give us pieces, and then in our imagination, because of our desire and because of our need, we make them whole.’

Interview

Fiona Benson & Rachael Allen

‘I’ve always wanted to write from the gut, to write instinctively rather than cerebrally.’

A Conversation with Orhan Pamuk

Maureen Freely

‘How do you hold your own in such a climate?’

Ali Akbar Natiq | Interview

Ali Akbar Natiq & Ollie Brock

‘No character in my stories is an ideal person; they are mere human beings who can either be oppressors or oppressed, or sometimes both at the same time.’

Rebecca Solnit | Podcast

Rebecca Solnit & Yuka Igarashi

Rebecca Solnit discusses interweaving personal narratives with the lives of Mary Shelley and Che Guevara, paradoxes and Beyoncé.

‘They’: Stalin’s Polish Élite

Teresa Toranska

‘You referred to a comrade as ‘Mister’. That's offensive.’

Taiye Selasi | Interview

Yuka Igarashi & Taiye Selasi

‘I was rather surprised to discover that I’d painted such a devastating portrait.’

Mario Levrero | Best Untranslated Writers

Juan Pablo Villalobos

‘I knew he was a ‘strange’ writer, unclassifiable, with a boundless imagination, who was creating one of the most intriguing, thought-provoking bodies of work in the Spanish language.’