Granta | The Home of New Writing

Explore Essays and memoir

Bandit

Molly Brodak

‘There are fragments of a criminal alongside fragments of a dad, and nothing overlaps, nothing eclipses the other, they’re just there, next to each other. No narrative fits.’

Introduction: India – Another Way of Seeing

Ian Jack

Ian Jack's introduction to Granta 130: India.

After Maidan

Oliver Bullough

‘A woman asked the steward behind the registration desk if our flight to Moscow was domestic or international. “We are still working on that,” the man answered.’

Gandhi the Londoner

Sam Miller

‘On 29 September 1888, an Indian teenager with a mild case of ringworm and a fine head of hair sailed into the Thames Estuary.’ Sam Miller on Ghandi's time in London.

The Foreign Correspondent

Pallavi Aiyar

‘The absence of Indian foreign correspondents was, and is, unexceptional.’

Introduction: Possession

Sigrid Rausing

‘Possession takes many forms, and at the heart of it is death and dereliction, invasion and submission.’

The Fixer

Snigdha Poonam

‘In Indian media and advertising, young people are mainly being projected as vessels of breathless aspiration.’

Anjali Joseph | First Sentence

Anjali Joseph

‘I kept returning to the Beckett stories, a favourite since I came upon them in my late teens.’

Dr J

Kalpana Narayanan

‘My father has his own language for everything. When I finished my MFA, I was a NINJA: No Income, No Job, No Assets.’

Breach Candy

Samanth Subramanian

‘There are clubs like the Breach Candy Club all over the Indian subcontinent: relics of the Raj, institutions that were set up as bolt-holes for the British, where they could retreat to row or swim or play cricket or race horses.’

Ghachar Ghochar

Vivek Shanbhag

‘That single moment’s intensity hasn’t been matched in my life before or since. A woman who I didn’t know has chosen to accept me, in body and mind.’

Mother’s House

Raja Shehadeh

‘It was her last service, last sacrifice, to a husband who required so much from her throughout their life together. But we could not succeed.’

Introduction

Sigrid Rausing

‘The pieces in this issue of Granta are all concerned, in one way or another, with the difference between the world as we see it and the world as it actually is, beyond our faulty memories and tired understanding.’