Granta | The Magazine of New Writing

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The Power of a Grandmother Named Tranquilina

Valerie Miles

'Never underestimate the power of a grandmother to leave her mark on coming generations, or the taste of her cooking to cause an epiphany big enough to give the world a shiver.'

Linked

Ruth Ozeki

‘old poems, like polished stones, / tumbled words to break my teeth on.’

Blue Moon

Hiromi Kawakami

‘Rather than death itself, it is the disappearance of traces that seems unbearable and sad. The disappearance of all signs that I existed.’

The Beauty of the Package

Pico Iyer

‘You can throw yourself into any fantasy, she (and her country) might have been saying, so long as you don’t mistake it for real life.’

Printable

Toh EnJoe

‘Which is scarier: that the past could actually change or that you could just think it did?’

Scavengers

Adam Johnson

‘I was dying to buy something, anything that would help my wife and children understand the profound surrealism and warped reality I’d experienced on my research trip to North Korea.’

Arrival Gates

Rebecca Solnit

‘It was like trying to go back to before the earthquake, to before knowledge.’

Maruti 800

Rana Dasgupta

‘Like a tiny old woman surrounded by strapping grandsons, the Maruti 800 was in fact the progenitor of all that new, muscular, vehicular variety.’

Heart and Soul in Every Stitch

Tash Aw

‘Where wealth and technology go, culture quickly follows, and soon it became acceptable, even desirable, to express an interest in Japan beyond the mere practicality offered by its products.’

Aracelis Girmay | First Sentence

Aracelis Girmay

‘For me, it happens most with early 90s R&B.’

Teenage Wastelands

Jim Ruland

‘It took me seven years of marriage to figure out that my wife is a hardcore Pearl Jam fan.’

The Defeated

Jonny Steinberg

‘Peter Mitchell died on a frontier, not so much between black and white, or between the landed and the landless, as between the past and the future.’

The Magic Box

Olivia Laing

‘It never gets dark in Times Square. Sometimes I’d wake at two or three or four and watch waves of neon pass through my room.’ An essay on David Wojnarowicz's work, life and archives.

Please Tim Tickle Lana

Colin McAdam

‘I no longer see human beings as I used to.’

Nudity

Norman Rush

‘I nursed a precocious rage at the stratagems society was employing to keep me from seeing naked women.’

The Emily Dickinson Series

Janet Malcolm

The Emily Dickinson Series is a collection of collages by Janet Malcolm that appear in Granta 126: do you remember.

American Vogue

Edmund White

‘Mumbling is proof of artistic verisimilitude.’

My Avant-Garde Education

Bernard Cooper

‘My response to art was quick, metabolic and revelatory, while my response to sex was a muddle of delayed reactions and missed libidinal signals.’

A Hand Reached Down to Guide Me

David Gates

‘It took longer and longer for the next one to come, and then there wasn’t a next one.’

Ann Beattie | First Sentence

Ann Beattie

‘Several times I’ve wanted to title something one thing, but have realized or been persuaded it isn’t a good idea.’

Laura Kasischke | First Sentence

Laura Kasischke

‘There really was a moth I found in a toolbox (not as musical or interesting as ‘strongbox’), alive, in the attic, in that box.’

Foreigners

Daniel Gascón

‘It would’ve been a magical moment if my neighbours hadn’t started fucking at that very second.’

The Case of the Missing Miss Vincent

Kevin Brockmeier

‘There is a sound to finishing a story like the first note of the 3.30 bell. Inside him a great crowd goes pouring into the daylight.’