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Explore Essays and memoir

Mountains Don’t Know Borders

Lois Parshley

‘In the Balkans, the present is often perched precariously on top of the past.’

Prison Echoes

Shahrnush Parsipur

‘When you are free, you inevitably feel compelled to act, but when incarcerated, you are powerless to do so.’

The Mercies

Ann Patchett

‘Once you knew what God wanted from your life, you would have to be ten different kinds of fool to look the other way.’

Notes on Craft

K Patrick

‘I don’t know anything except my own body. When writing poetry, that’s the only place I can start from.’

K Patrick on writing the queer body.

Notes on Craft

Celia Paul

‘A painting is like a letter: they both live in the constant present.’

Celia Paul on writing Letters to Gwen John.

Fred Pearce | Notes on Craft

Fred Pearce

‘For a hack like me, book-length meta-journalism is both a luxury and a challenge. I cannot hide my own views over 100,000 words, even if I want to.’

The Legacy

Fred Pearce

‘It created not just a climate of fear, but also a landscape of secrets.’

Africa Writes

Caitlin Pearson

The Royal African Society takes a look back at the history of the Africa Writes festival, their annual celebration of contemporary literature from Africa and the diaspora.

Paradox of Plenty

Michael Peel

‘The blend of volatile domestic politics and geostrategic oil interests is at best opaque and at worst thoroughly corrosive of all involved.’

Kashmir’s Forever War

Basharat Peer

‘Yes, the gun was from Pakistan, but the stones are our own. That is our only weapon against the occupation.’

The Golden Goat to Communist Ratio

Miroslav Penkov

‘Few people can pinpoint where Bulgaria is on the map. Some people might tell you they can, but you shouldn’t believe them.’

Miroslav Penkov | First Sentence

Miroslav Penkov

‘It was an old woman’s racism that inspired the first line of ‘Blood Money’.’

I Remember

Georges Perec

Entries from Georges Perec’s I Remember, translated from the French by Philip Terry and David Bellos.