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Cormac James | Notes on Craft
Cormac James
‘My most recent writing lesson came from Elizabeth Strout, a few months ago. Pay attention, is all she taught me, and it was plenty.’
Louise Bourgeois as I Knew Her
Jean Frémon
‘The portrait is built up of tiny strokes, one added upon another, like dashes of pencil.’ Translated from the French by Cole Swensen.
The Last Shopkeepers of London
David Flusfeder
‘It became a kind of mission to find contemporaries of theirs that weren’t closing down, establishments that have continued to flourish, or at least endure.’
The Leech Barometer
Rebecca Giggs
‘To be consumed by leeches is to be vital, to be animate, though it is also to be reminded you are something else’s prey, and therefore porous and mortal.’
The one/many problem
Daisy Hildyard
‘Other creatures literally stop me breathing. There are so many of them, and only one of me.’ Daisy Hildyard writes about her research into the animal kingdom.
Kestrel
Cynan Jones
‘A kestrel is not domestic. The one time I tried affection the bird put his beak through my lip.’
Climb the Mountains
Apricot Irving
'Harm that comes through the hands of those we love must be wrestled with; it does not simply disappear.'
Cumbrian Fell Pony
Sarah Hall
Sarah Hall writes about the Cumbrian fell pony for Granta 142: Animalia.
American Maniac
Rafael Frumkin
‘I would peel wrappers off sandwiches, remove noodles from their boxes, fry up meat before any authorities had the chance to track me and my bounty down.’
Broken Animals
Britta Jaschinski
‘These bored, frustrated and hungry animals appear as reluctant figures in some unsolvable puzzle, or as victims of a grand experiment whose original purpose is lost in time.’
Slaughterhouse
Arnon Grunberg
‘I wonder whether there’s a real moral difference between killing an animal and killing a human being.’ Translated from the Dutch by Sam Garrett.
