Explore art photography
Olympic Drift: making way for the Games
‘Walking around the perimeter of the Olympic site has become an act of remembrance.’
Bucharest, 26 December 1989
Léonard Freed's photographs of Bucharest on 26 December 1989, in Granta 31: The General.
An (almost) perfect day
‘I think of the self-portrait as a mirror of all the violence that befalls us.’
‘The moment I see these portraits, my first thought is: Let’s make it for suitable for the twenty-first century.’
‘Die Hel is a remote valley in the Swartburg Mountains of the south-western Cape.’
The Structure of Things Here
‘In our structures we South Africans tend to declare ourselves quite nakedly, sometimes eloquently, and rarely with dissimulation.’
The violence the retablos depict, the calamities of fate, weather, accidents or of illness, move us because they distil so powerfully what we already know all too well.
In her series Observatoires, Noémie Goudal places stairs, pyramids and domes in natural, isolated, timeless spaces.
Photographs from the North-West Frontier
Ed Grazda has been visiting the North-west Frontier Province since 1980, shortly after the Soviet invasion of Afghanistan.
Pakistani truck art
‘Truck artists transform village rickshaws, city buses and commercial trucks into a procession of moving colour.’
‘Circuses have the capacity to transform those rejected by society – the acrobats, rope-walkers, puppeteers and expelled demons – into wonders and celebrities.’
Above the Tree Line
Teva Harrison visits and illustrates the Northwest Passage through the Canadian arctic for Granta 141: Canada
A Sparrow Fallen
‘a sparrow fallen; / blackness of pain shimmering / hard in soft white light’
‘There is of course an absurdity to these censored images since their overt, bold and graphic nature only draws attention to the very sites that are meant to be hidden.’
‘Today the Oglala Lakota live in the shadow of Wounded Knee on the Pine Ridge Indian Reservation.’
Mordros: The Sound of the Sea
Kurt Jackson is an environmentalist, ecologist and one of Britain’s leading artists.
Red Space: Promoting a Socialist Destiny
Space posters were ‘visually stunning representations of the promises of the Soviet state’.
‘These bored, frustrated and hungry animals appear as reluctant figures in some unsolvable puzzle, or as victims of a grand experiment whose original purpose is lost in time.’
Zone of Absolute Discomfort
‘The icy hinterland is wretched to live in, but just hospitable enough to allow for the extraction of billions of tons of resources trapped beneath the ground.’
‘Charles Jones took beautiful photographs of vegetables, fruit and flowers.’
The Best of Young British Novelists
Nadav Kander's stunning portraits of Granta's Best of Young British Novelists 2013.
An Escape from Kampala
‘‘Be brave,’ she said, ‘pull yourself together. What you are about to see is worse than you ever imagined.’ She asked if I knew what Winston Churchill had called Uganda. He had called it the pearl of Africa.’
Birte Kaufmann examines the everyday, parallel world of Irish travellers.
Of Bankers and Soldiers
Alex Kayser’s photographs of Swiss bankers and soldiers for Granta 35: The Unbearable Peace.
Pictures from the War
‘Kern’s achievement is to have captured this despair, and the confusion of ordinary people forced to live and love and die in the middle of a battlefield.’
‘These photographs capture that fatal boredom in the face of this slow-motion catastrophe.’
Artist Steffi Klenz recaptures portraits based on photographs of travellers, explorers and seamen who were lost in open waters, and whose bodies were never recovered.
Antonin Kratochvil’s photographs of sideshow performers for Granta 39: The Body.
‘Museums are not solely concerned with objects and our collective past, but also with ideas; notions of what the world is, or should be.’