Issue 94

Michel Faber

‘Natalia picks at the frayed black lace of her dress while the photograph of her American penpal loads into the computer.’

Héctor Abad Faciolince

‘However, there are countries with an almost secret culinary culture, unknown to the immense majority of the world.’

Héctor Abad Faciolince

‘The note stated that it was by Borges, and I believed that, or at least I wanted to believe it.’

Jenni Fagan

Best of Young British Novelist Jenni Fagan selects five songs that she loves to write to.

Jenni Fagan

‘Every step forward causes the road behind him to disappear.’

Issue 113

Federico Falco

‘No one had ever spoken her name in a foreign language.’

Sonia Faleiro

Sonia Faleiro on marginalized narratives, her time as a reporter and how gender influences her work.

Issue 124

Sonia Faleiro

Issue 116

Nuruddin Farah

‘In a world in which coercion is the norm, a human trafficker must have underlings as well.’

Alain Farah

L’homme dont les paroles ont inauguré cette histoire va donc voir ou plutôt revoir, alors qu’il se déplace dans un temps parallèle, les meilleures scènes de sa vie.

Issue 49

Nuruddin Farah

‘That's what money does to one: makes one suspicious.’

Issue 141

Alain Farah

‘Two times is a repetition. Three times is a tradition, or a curse.’ Translated from the French by Lazer Lederhendler.

Paul Farley

‘I’m holding out. / I’m blue in the face.’

Paul Farley

For Granta 102, Paul Farley and Niall Griffiths returned to Netherley, on Liverpool’s north-eastern rim and the fringes of rural Lancashire, and to what remains of the housing estate where they grew up.