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A Pinch of Salt

Andrea Brady

‘When we’re close to weaning / ourselves history gives us its reasons / to return’

A Sharing Economy

Karen Solie

‘The Paying Guest rises in the middle of the night / to turn off the radio where no radio exists’

a style

Dara Wier

‘a style says conviction in indifference / conviction in style’

After Ann Lauterbach

Emily Critchley

‘The piano eyes me / from its corner – / colluding with the past’

Assuming the Habits of the Day and Night

Anthony (Vahni) Capildeo

‘my every day is a being in of being / a mixity of worlds’

Calorific

John Kinsella

‘They are superbly and viscerally unreal / and I feel their living drive’

crown

Danez Smith

‘the boy claps me between / his hands & i break apart like glitter’

Essay

Gary Barwin

‘the heart is an ocean-sized drum / a rat-sized jellyfish’

Fourth Person Singular

Nuar Alsadir

‘The wet in the air is like signal anxiety: life is about to / change.’

Golgotha

Benoit Jutras

‘Our nation is a spell of nerves and gas. We say yes to monsters, to elegies etched in our palms.’ Translated by Daniel Canty.

Hymen Elegy

Safiya Sinclair

‘Dammed my wet scream around those verbs / for a violence.’

Judges

Natalie Eilbert

‘I was thick dough when you ran us away. I never / knew you.’

Mars is a Stupid Planet

Matthew Rohrer

‘Even astronauts describe / our air as thick enough to slice / and spread on toast for breakfast.’

Maureen N. McLane in Conversation

Maureen N. McLane & Rachael Allen

Granta’s poetry editor Rachael Allen talks to Maureen N. McLane about ecology, lyric authority, and balancing poetry with criticism.