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Don DeLillo | Interview
Don DeLillo & Yuka Igarashi
‘The stories are representative of one slice of mind. The novels are mind, body, day and night, and what I ate for lunch.’
P.D. Mallamo | Interview
P. D. Mallamo & Roy Robins
‘Writing and reading in third-person present is like a high-speed drive through Nevada at two a.m.: incredibly invigorating and somewhat dangerous.’
Moscow Women
Carola Hansson & Karin Lidén
‘She’s young, then suddenly she’s old, and she’s buried without knowing why she ever lived.’
Letters From Two Exit Strategists
Jacob Newberry & Vanessa Manko
‘I feel like I’ll spend a great many years unravelling whatever is being stored inside of me just now.’
Ian Teh | Interview
Ian Teh & Ted Hodgkinson
‘The pictures I take are fly-on-the-wall and open to interpretation.’
Ha Jin | Interview
Ha Jin & Helen Gordon
‘My reason for writing in English is twofold: to separate my existence from the state power of China and to preserve the integrity of my work.’
Granta em Português | Interview
Ollie Brock, Robert Feith & Marcelo Ferroni
‘It’s been a rich, multifaceted, very challenging and hugely rewarding professional experience.’
Granta China | Interview
Patrizia van Daalen, Peng Lun & Ted Hodgkinson
‘Young perspectives always facilitate access to a culture because they are more easily accepted, and it is easier, most times, to assimilate with them.’
Charlotte Roche | Interview
Charlotte Roche & Philip Oltermann
‘I love that image. Me flying over Germany, throwing sex bombs into people’s minds.’
Orhan Pamuk | Interview
Orhan Pamuk & John Freeman
‘Orhan Pamuk speaks to Granta editor John Freeman about his latest book, The Museum of Innocence.’
Urvashi Butalia | Interview
Urvashi Butalia & Saskia Vogel
‘Feminist movements everywhere in the world are born of the particular political and economic realities of the places where they exist.’
Rowan Ricardo Phillips | Interview
Rowan Ricardo Phillips & Ted Hodgkinson
‘Poetry’s strongest response, on the other hand, is determined, open-ended world-making, which is the work of empathy.’