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Etgar Keret | Interview

Etgar Keret & Sophie Lewis

‘Usually my wife makes fun of me.’

Granta Italy Sex | Interview

Paolo Zaninoni & Ted Hodgkinson

‘I think that the metaphor of bodily failure is a very apt one to reflect the feeling of weakness and despondency palpable today within the Italian society.’

Sam Lipsyte and Diane Cook in Conversation

Diane Cook & Sam Lipsyte

‘The bewilderment was productive, and relit a good fire under my instinct, which I didn’t have to conflate with certainty.’

Philippe Claudel | Interview

Philippe Claudel & Emily Greenhouse

‘The modern novel can’t sidestep or ignore the idea of evil on an industrial level’

A. Igoni Barrett | Interview

A. Igoni Barrett & Ted Hodgkinson

‘Fixing the rhythm of one sentence in the novel I’m working on is more vital for me than any considerations of where I’m coming from or where my work is headed.’

Patrick deWitt | Interview

Patrick deWitt & Ted Hodgkinson

‘The question of whether or not I’m addressing America in my writing only comes up with people outside of America.’

Chinelo Okparanta | Interview

Chinelo Okparanta & Yuka Igarashi

‘I wanted to be sure to approach their resistance to Nnenna’s homosexuality from a practical perspective – one of fear, rather than one of hate.’

Interview: Leslee Udwin

Leslee Udwin & Sonia Faleiro

‘It’s the barrel that rots the apples.’ Leslee Udwin talks to Sonia Faleiro about her film India's Daughter.

Rattawut Lapcharoensap | Interview

Rattawut Lapcharoensap & Yuka Igarashi

‘Sometimes all a story needs is an interesting, clearly defined confusion.’

Romesh Gunesekera | Interview

Romesh Gunesekera & Ka Bradley

‘The past has never been as present as it is now in the world. But at the same time, all over the world, the determination to manipulate what we know has also never been stronger.’

‘They’: Stalin’s Polish Élite

Teresa Toranska

‘You referred to a comrade as ‘Mister’. That's offensive.’

Taiye Selasi | Interview

Yuka Igarashi & Taiye Selasi

‘I was rather surprised to discover that I’d painted such a devastating portrait.’

Interview

Fiona Benson & Rachael Allen

‘I’ve always wanted to write from the gut, to write instinctively rather than cerebrally.’