‘It’s the barrel that rots the apples.’ Leslee Udwin talks to Sonia Faleiro about her film India's Daughter.
‘I have never felt it as a poet, and that is why I’m doubly grateful to dance, for having experienced the loneliness and the terror of the empty stage, but also, to have had that live connection.’
‘Sometimes we don’t quite know what we’re seeing.’
‘They happen organically. If a can of Pepsi shows up it’s because I was thinking about a can of Pepsi.’
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