Granta | The Magazine of New Writing

Explore in translation

Filter

The Scream

Djaimilia Pereira de Almeida

‘That supremacist is the idea, in those brothers and sisters of mine, of shyness (which no one understands) being an encumbrance that they should purge as they try to find in their interaction with the world a perfect mixture of disdain, meekness and expansiveness.’

On Stage

Bandi

‘Where emotions are suppressed and actions monitored, acting only becomes ubiquitous, and so convincing that we even trick ourselves.’

Writing While Worried

Fanny Britt

‘Just as it can spur me on, worry is adept at stifling and silencing.’

Life of the Father

Alain Farah

‘Two times is a repetition. Three times is a tradition, or a curse.’ Translated from the French by Lazer Lederhendler.

Tshinanu

Naomi Fontaine

‘Language is a risk that a nation takes. If a language survives, its people do too.’ Translated from the French by David Homel.

The Battlefield

Dominique Fortier

‘For years, you have been passing through my life; like a comet, disappearing as quickly as you come.’ Translated by Rhonda Mullins.

Boathouse

Jon Fosse

‘It was this summer that the restlessness came over me.’ Translated from the Norwegian by May-Brit Akerholt.

You Okay for Time?

Kaori Fujino

‘She wants to talk, she wants to unburden herself, but there’s nothing left so all she can do is cry.’ Translated by Ginny Tapley Takemori.

Language In Exile

Mireille Gansel

One summer’s day, for the first time, Mitzi broached the past. Past in the present, so present, with everything it had deposited in this room that suddenly seemed so vast. Everything that the grim tide deposits on the shores of a life.

Death House

Christina Hesselholdt

New fiction translated from the Danish by Paul Russell Garrett.

Golgotha

Benoit Jutras

‘Our nation is a spell of nerves and gas. We say yes to monsters, to elegies etched in our palms.’ Translated by Daniel Canty.

From the Left Bank of the Flu

Misumi Kubo

‘The big road looked to me like a river, the cars rushing by as if carried along on its current.’

Blue Self-Portrait

Noémi Lefebvre

‘One piece of luck: I didn’t explain to the pianist how to play the piano.’ Translated from the French by Sophie Lewis.

Of Roses and Insects

Chloé Savoie-Bernard

‘The insects dissect the layers of my father’s life, our lives and my mother’s life that have collected in this sad house.’ Translated from the French by Neil Smith.

Dead in Venice

Masahiko Shimada

‘If I wasn’t a fish spawned in the Brenta river, why was I so compelled to keep returning?’ Masahiko Shimada on his many trips to Venice.

Monsterhuman

Kjersti Skomsvold

‘Waking is now worse than falling asleep, I didn’t think that was possible.’ Translated from the Norwegian by Becky L. Crook.

Drive Your Plough Over the Bones of the Dead

Olga Tokarczuk

‘They gazed at us calmly, as if we had caught them in the middle of performing some ritual whose meaning we could not fathom.’

The Book Tree

Larry Tremblay

‘I dreamed of dictionaries. I crammed myself with liquorice, honeymoons, caramels.’

Lovetown

Michal Witkowski

Discover Lovetown: a homo-haven in post-Communist Poland.

Seven People with the Same Name and their Discrete Moments

Han Yujoo

Erica Chung’s translation of ‘Seven People with the Same Name and their Discrete Moments’ by Han Yujoo is the winner of Harvill Secker’s Young Translators’ Prize 2017.