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Etgar Keret | Interview

Etgar Keret & Sophie Lewis

‘Usually my wife makes fun of me.’

Sam Lipsyte and Diane Cook in Conversation

Diane Cook & Sam Lipsyte

‘The bewilderment was productive, and relit a good fire under my instinct, which I didn’t have to conflate with certainty.’

Interview

Fiona Benson & Rachael Allen

‘I’ve always wanted to write from the gut, to write instinctively rather than cerebrally.’

David Peace and Kyoko Nakajima in Conversation

Kyoko Nakajima & David Peace

‘When we talk about history, the dangers of embellishment, fabrication and wilful distortion are ever-present’

Catherine Lacey | Interview

Catherine Lacey & Louise Scothern

‘It's uncomfortable, at times, to be alive, so I see no reason why a voice in fiction shouldn't be also.’

Lauren Holmes | Interview

Lauren Holmes & Louise Scothern

‘Even if you move to the other side of the world, and even if you don’t speak for years or decades, your family is always going to be a part of you.’

Mark Gevisser and Jonny Steinberg | Podcast

Mark Gevisser & Jonny Steinberg

Mark Gevisser and Jonny Steinberg discuss recent South African history, their personal relationship to Johannesburg, and their personal relationship to a divided city.

Dorothea Lasky and Adam Fitzgerald In Conversation

Dorothea Lasky & Adam Fitzgerald

‘I want to get to that place of cold neutrality where almost anything could work in poetry.’

Ruth Ozeki | Podcast

Ruth Ozeki & Yuka Igarashi

‘And I never was quite sure who I was or who I was supposed to be.’

S.J. Naudé and Ivan Vladislavić In Conversation

S.J. Naudé & Ivan Vladislavić

‘In rapidly transforming societies, writers may lose the space they’ve built their imaginative lives around.’

Brigitte Grignet | Interview

Brigitte Grignet & Daniela Silva

‘Places sitting at the edges of the world are often destroyed in the name of so-called development.’

Granta Finland | Interview

Aleksi Pöyry & Francisco Vilhena

‘What is often particular to Finnish Weird is that it portrays a realistic, palpable setting which gradually starts to acquire elements of fantasy.’