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Justin Jin | Interview
Justin Jin & Francisco Vilhena
‘This disaster has been going on for decades. I want to protest against this as loudly as I can through photography.’
Lindsey Hilsum | Podcast
Lindsey Hilsum & Rachael Allen
Lindsey Hilsum on Libya, her time in Rwanda and how countries can repair in the aftermath of war.
Romesh Gunesekera | Interview
Romesh Gunesekera & Ka Bradley
‘The past has never been as present as it is now in the world. But at the same time, all over the world, the determination to manipulate what we know has also never been stronger.’
Rattawut Lapcharoensap | Interview
Rattawut Lapcharoensap & Yuka Igarashi
‘Sometimes all a story needs is an interesting, clearly defined confusion.’
Helen Mort | Interview
Helen Mort & Rachael Allen
‘I think there’s something seductive and liberating about the way you can create shadowy characters in a poem.’
Ellen Bryant Voigt | Interview
Ellen Bryant Voigt & Rachael Allen
‘I don’t think of music and narrative as being mutually exclusive – some of my poems ARE narrative, and are as ‘sound-driven’ as the lyrics.’
Mario Levrero | Best Untranslated Writers
Juan Pablo Villalobos
‘I knew he was a ‘strange’ writer, unclassifiable, with a boundless imagination, who was creating one of the most intriguing, thought-provoking bodies of work in the Spanish language.’
Juan Pablo Villalobos | Podcast
Juan Pablo Villalobos & Rachael Allen
Juan Pablo Villalobos on class struggle in Mexico, parodying Mexican identity and the difficulty of translation.
Oline Stig | Best Untranslated Writers
Lina Wolff
‘Oline Stig doesn’t blindly obey the narrow logic of the dramatic curve, and she lets the story branch where it is necessary. The end is surprising and, so to say, out of tune in a liberating way.’
Eleanor Catton | Podcast
Eleanor Catton & Anne Meadows
Anne Meadows talks to Eleanor Catton about opium and gold, whether a good author can also be a sadist and what it means to be a New Zealand writer today.
Sami Said | Best Untranslated Writers
Stephan Mendel-Enk
‘Frustrated reporters have described him whistling rather than answering their questions and giving most of the credit for the books to someone named Oscar. The only thing that seems certain about him is that he’ll continue to write.’