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Dividing Lines

Jack Losh

Jack Losh reports from rebel-held Bria in the Central African Republic, where fighting has forced thousands into a displacement camp.

Mariana Enríquez | Notes on Craft

Mariana Enriquez

‘I found a way to speak: the women talked for me’ Translated by Josie Mitchell.

Bohemian Rhapsody in Five Acts

Tiffany Murray

Tiffany Murray on living with Freddie Mercury as a child.

Ali Fitzgerald | Notes on Craft

Ali Fitzgerald

Notes on crafting a graphic memoir from Ali Fitzgerald.

I’m Black So You Don’t Have to Be

Colin Grant

'Can the black author really write out of her or his colour? In writing about black characters can they ever escape race?' Colin Grant looks at the evolution of racial politics.

Terrors

Kiese Laymon

An excerpt from Heavy: An American Memoir by Kiese Laymon

Nine Pints

Rose George

‘My blood is on its way to becoming something that even when given for free can be brokered and sold like ingots or wheat.’

Writing Like Degas Paints

Sulaiman Addonia

Sulaiman Addonia on how Edgar Degas’ nude portraits inspired his latest novel, Silence Is My Mother Tongue.

Lucia Berlin Writes Home

Nina Ellis

Nina Ellis on the life and writing of Lucia Berlin. ‘If Berlin's collections were houses, their hallways would change direction without warning, and their rooms would be bright and dark at the same time.’

Consolation Puppies

Amy Butcher & Martha Park

A graphic essay on dogs, adoption and Donald Trump.

Common Cyborg

Jillian Weise

‘I’m nervous at night when I take off my leg. I wait until the last moment before sleep to un-tech because I am a woman who lives alone’

Breasts: A History

Krys Malcolm Belc

‘My breasts are shrinking. As my fat redistributes it settles in my belly and leaves my chest.’

Masculinity Is Leaving The Male Body

Seabright D. Mortimer

‘If we’re gonna imagine this beautiful queer paradise what form does a man take?’ – Seabright D. Mortimer on constructing masculine identity in genderqueer spaces.

Of Donuts I Have Loved

Miranda Dennis

‘Krispy Kremes melt at the touch, are tender and loving, are used by my family to perform a wholeness we do not always feel’

Paul Dalla Rosa | Notes on Craft

Paul Dalla Rosa

‘I feel like I’m haunting an empty building, inert, waiting for each room to burst into flames.’

After

April Ayers Lawson

‘I again told him I wasn’t ready to have sex, and his only response was to lean in and kiss me. The hallway in which we walked seemed to be shrinking, closing in on us.’ – April Ayers Lawson on intimacy after sexual abuse.

A Few Words about Fake Breasts

Nell Boeschenstein

‘You repeat this over and over. You pinch your nipples harder. Then harder and harder still. You twist them. You dare them to say Mercy. You stare into your own eyes that are watching you from the mirror.’

A Summer of Japanese Literature

Dan Bradley

From manga to crime fiction, contemporary literature to Nobel-Prize-winning classics, here are ten works of Japanese literature worth spending your summer on

Murasaki’s Paper Trail

Martin Puchner

Martin Puchner on how Murasaki Shikibu, a lady-in-waiting at the Japanese court, manage to write the first great novel of world literature.

Fred Pearce | Notes on Craft

Fred Pearce

‘For a hack like me, book-length meta-journalism is both a luxury and a challenge. I cannot hide my own views over 100,000 words, even if I want to.’

Introduction

Sigrid Rausing

Editor and publisher Sigrid Rausing introduces Granta 144: genericlovestory.

I Bite My Friends

Fernanda Eberstadt

‘The Easter Parade is winding down, when I spot Him. Her. Them. The Apparition.’

On Paris Hilton and Other Undead Things

Brittany Newell

‘What sex tapes offer, on a hauntological level, is an impossible closeness to that which is neither dead nor alive.’

Telling My Story

Stella Duffy

‘I wonder if they could all smell the queer on me, the queer in me, the burgeoning sexuality that I had no words for at the time.’

Cross-Dressers

Sébastien Lifshitz & Andrew McMillan

‘These images appear to give a glimpse of a ghost-self, a photographic negative of the heart.’ Andrew McMillan introduces photography curated by Sébastien Lifshitz.

Abscessed Tooth

Debra Gwartney

‘Silence allows me to pretend that this happened to someone else a long time ago, and not to me.’

Chameleon

Tomoko Sawada & Sayaka Murata

‘If Sawada can transform herself without limit, maybe I can too.’ Sayaka Murata introduces Tomoko Sawada’s photographs, translated from the Japanese by Ginny Tapley Takemori.

See What You Do to Me

TaraShea Nesbit

‘My intention was to protect myself, and not to have to go back on my word.’

On the Trouble of Bound Association

Lisa Wells

‘We cannot know our era as it’s unfolding.’

Jailbait

Ottessa Moshfegh

‘Part of what made him interesting was that I felt he would dismiss me the moment I bored him.’

What Do Women Want?

Devorah Baum

‘What we’re arguing about turns out to be how to speak to each other at all.’

What Silence Knows

Anthony Shadid

‘Words can’t quite re-create the smell of war. I have found myself trying to wash it out of my hair, off my fingers. More than once, I have run water over the soles of my shoes.’

To Remember Is to Live Again

Buddhadeva Bose & Amit Chaudhuri

‘Never, long as I live, will I forget the few days I had spent with the Millers.’ Buddhadeva Bose on his friendship with Henry Miller.

Notebooks

Amitava Kumar

‘I wanted sex as my subject, not only the innocence but also the bruising.’

Five are the fingers, and five are the sins

Rebecca Watson

Rebecca Watson on the life of the man who prototyped fascism, the Italian writer Gabriele D’Annunzio

The Unpunished Vice

Edmund White

‘Reading is at once a lonely and an intensely sociable act.’