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For Granta 102, Paul Farley and Niall Griffiths returned to Netherley, on Liverpool’s north-eastern rim and the fringes of rural Lancashire, and to what remains of the housing estate where they grew up.
Kwangju and After
‘Some people said they were not ‘with’ the students. They were not in favour of the use of arms. But they were of one voice in saying that the students were their sons, and that if the army came in the students would be put to death. That was why they kept saying: “Tell the truth about us.”’
Olympic Drift: making way for the Games
‘Walking around the perimeter of the Olympic site has become an act of remembrance.’
Bucharest, 26 December 1989
Léonard Freed's photographs of Bucharest on 26 December 1989, in Granta 31: The General.
‘Die Hel is a remote valley in the Swartburg Mountains of the south-western Cape.’
The Structure of Things Here
‘In our structures we South Africans tend to declare ourselves quite nakedly, sometimes eloquently, and rarely with dissimulation.’
Photographs from the North-West Frontier
Ed Grazda has been visiting the North-west Frontier Province since 1980, shortly after the Soviet invasion of Afghanistan.
Pakistani truck art
‘Truck artists transform village rickshaws, city buses and commercial trucks into a procession of moving colour.’
A Sparrow Fallen
‘a sparrow fallen; / blackness of pain shimmering / hard in soft white light’
‘There is of course an absurdity to these censored images since their overt, bold and graphic nature only draws attention to the very sites that are meant to be hidden.’
Mordros: The Sound of the Sea
Kurt Jackson is an environmentalist, ecologist and one of Britain’s leading artists.
Zone of Absolute Discomfort
‘The icy hinterland is wretched to live in, but just hospitable enough to allow for the extraction of billions of tons of resources trapped beneath the ground.’