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Book Piracy in Peru

Claudia Alva

Claudia Alva’s photographs of an investigation of book piracy in Peru.

Means of Transport

John Berger

‘Use these photos as means of transport. Ride on them. No passes needed. Go close. Imprudently close. They leave every minute.’

Alphabet City

Geoffrey Biddle

‘When I first worked here, the neighbourhood was not called Alphabet City. It was the Puerto Rican part of the Lower East Side and the Puerto Ricans called it Loisaida, low-ee-SIGH-da, a new York-Puerto Rican version of Lower East Side.’

My Daughter

Geoffrey Biddle

Geoffrey Biddle’s photographs of his family in Granta 39: The Body.

Christmas in Bavaria

Jan Bogaerts

‘Bergtesgaden was, for some time, the home town of both Adolf Hitler and Dieter Eckhardt, the father of national socialism.’

LA Women

Douglas Brooker

‘I was bored. That was how it started. Anything I ever did that amounted to anything–or not–has always been the result of being sick of doing something else.’

West African Sketchbook

George Butler

George Butler’s sketches from a journey across west Africa.

Casta

Nicola Lo Calzo

An investigation of how historical racial factors shape memory, heritage and political and interpersonal relations in Louisiana and Mississippi.

High Noon

Green Cardamom

For the visual essay in Granta112: Pakistan, we collaborated with Green Cardamom – an organisation which focuses on international contemporary art viewed from an Indian Ocean perspective. With their help, we selected fourteen prominent figures from the contemporary art scene in Pakistan, and reproduced their work in the magazine.

Inside Intelligence

Anthony Cavendish

‘Good heavens, old boy! It isn't the Russians we worry about; it's the British public that we don't want to know about it.’

About the Cover

Jake and Dinos Chapman

‘My attempts are mocked by the monstrosities that leer up at me from the page.’

Letters to Omar

Edmund Clark

‘His mail became part of the control process his interrogators exercised.’

Flee

Nadia Shira Cohen

‘I wait for the moment they sense what I am trying to do.’

Data Recovery

Diego Collado

‘The viewer has to pour their own unconscious into interpreting these images, make them their own, allow themselves to be encouraged by the existence of a void.’

Censored

Bruce Connew

‘It was an isolated incident, and there had been no official or unofficial communication about it.’

Halcyon Song

Justin Coombes

‘From this, I developed the idea of the kingfisher’s search for a nest taking place over the course of a day, and this day being a microcosm of her world and a greater search for home and for meaning.’

Photography: The Paris Intifada

Nick Danziger

Nick Danziger’s photographs of the troubled Paris suburb of Bagneux.

Photography: Svarlbard

Gautier Deblonde

A selection of photographs from the Arctic archipelago Svarlbard.

The Suburbs of Cairo

Fouad Elkoury

Fouad Elkoury’s photographs of life in Cairo’s suburbs.

Halle by Day

Hans Joachim Ellerbrock

‘Partly as a result of emissions from these plants, but more particularly because brown coal is burnt in private houses, Halle has the highest level of air pollution in Germany.’

Children’s Section, Gradinari House

Isabel Ellsen

‘Gradinari House is thirty kilometres from Bucharest. One hundred and fifteen children live here.’

Netherley

Paul Farley

For Granta 102, Paul Farley and Niall Griffiths returned to Netherley, on Liverpool’s north-eastern rim and the fringes of rural Lancashire, and to what remains of the housing estate where they grew up.

Kwangju and After

James Fenton

‘Some people said they were not ‘with’ the students. They were not in favour of the use of arms. But they were of one voice in saying that the students were their sons, and that if the army came in the students would be put to death. That was why they kept saying: “Tell the truth about us.”’

Dying Village

Vladimir Filonov

Vladimir Filonov’s photographs in Granta 30: New Europe!

Olympic Drift: making way for the Games

Laura Oldfield Ford

‘Walking around the perimeter of the Olympic site has become an act of remembrance.’

Bucharest, 26 December 1989

Léonard Freed

Léonard Freed's photographs of Bucharest on 26 December 1989, in Granta 31: The General.

Die Hel

David Goldblatt

‘Die Hel is a remote valley in the Swartburg Mountains of the south-western Cape.’

The Structure of Things Here

David Goldblatt

‘In our structures we South Africans tend to declare ourselves quite nakedly, sometimes eloquently, and rarely with dissimulation.’

Miracles

Francisco Goldman

The violence the retablos depict, the calamities of fate, weather, accidents or of illness, move us because they distil so powerfully what we already know all too well.

Photographs from the North-West Frontier

Ed Grazda

Ed Grazda has been visiting the North-west Frontier Province since 1980, shortly after the Soviet invasion of Afghanistan.

Pakistani truck art

Islam Gull

‘Truck artists transform village rickshaws, city buses and commercial trucks into a procession of moving colour.’