Granta | The Magazine of New Writing

Explore art photography

Filter

Brad Feuerhelm | Podcast

Brad Feuerhelm & Ted Hodgkinson

Brad Feuerhelm spoke to online editor Ted Hodgkinson about the stories that lie behind his images from the issue and how his work is informed by his love of horror movies.

Frissure

Kathleen Jamie & Brigid Collins

‘The survival rates for people like me are high nowadays.’

Ordinary Light

Brad Feuerhelm & A.L. Kennedy

‘Why do I look? Why have I always looked? Because I have.’

Olympic Drift: making way for the Games

Laura Oldfield Ford

‘Walking around the perimeter of the Olympic site has become an act of remembrance.’

The Last Hunters

David Morris & Candy Whittome

Images from a series of photographs that focuses on the lives of the crab fishermen of Cromer, Norfolk.

Halcyon Song

Justin Coombes

‘From this, I developed the idea of the kingfisher’s search for a nest taking place over the course of a day, and this day being a microcosm of her world and a greater search for home and for meaning.’

Dutch Landscapes

Mishka Henner

‘There is of course an absurdity to these censored images since their overt, bold and graphic nature only draws attention to the very sites that are meant to be hidden.’

Home

John Burnside & et al

Home is makeshift. Everything we build, everything we name, everything we hold dear and would not have taken from us is temporary and in constant need of re-imagining.

The Island

Stacy Kranitz

‘Family bloodlines run deep and often intertwine.’

A Garden of Illuminating Existence

Kanitta Meechubot

‘Witnessing her death, I understand the meaning of love.’

About the Cover

Jake and Dinos Chapman

‘My attempts are mocked by the monstrosities that leer up at me from the page.’

Flee

Nadia Shira Cohen

‘I wait for the moment they sense what I am trying to do.’

Letters to Omar

Edmund Clark

‘His mail became part of the control process his interrogators exercised.’

Still Lifes from a Vanishing City

Elizabeth Rush

‘An insight into how we might live in a city that was built by an unsustainable system, and how those ‘less-than-fortunate’ people have made their lives out of what others have left behind.’

Un-Possible Retour

Téa Obreht & Clarisse d'Arcimoles

‘It confirms my belief that the universal exists in particularity.’

The F Cover

Michael Salu

‘A DIY identikit magazine cover. Make yourself the woman you want to be.’

Walking on the West Bank

Robert Macfarlane

‘As walking becomes less easy, it has become correspondingly more important.’

Contacts

Adam Broomberg & Oliver Chanarin

Photographs from the Belfast Exposed Archive, documenting the Troubles from the early 1970s.

Inland, Iran

Afshin Dehkordi

#gallery-1 { margin: auto; } #gallery-1 .gallery-item { float: left; margin-top: 10px; text-align: center; width:...

High Noon

Green Cardamom

For the visual essay in Granta112: Pakistan, we collaborated with Green Cardamom – an organisation which focuses on international contemporary art viewed from an Indian Ocean perspective. With their help, we selected fourteen prominent figures from the contemporary art scene in Pakistan, and reproduced their work in the magazine.

Pakistani truck art

Islam Gull

‘Truck artists transform village rickshaws, city buses and commercial trucks into a procession of moving colour.’

West African Sketchbook

George Butler

George Butler’s sketches from a journey across west Africa.

Traces: China 1999–2010

Ian Teh

#gallery-2 { margin: auto; } #gallery-2 .gallery-item { float: left; margin-top: 10px; text-align: center; width:...

The making of a Granta cover

Michael Salu

Granta’s artistic director Michael Salu describes how the new issue’s cover (Granta 111: Going Back) came into being.

Empty Porn Sets

Jo Broughton

#gallery-3 { margin: auto; } #gallery-3 .gallery-item { float: left; margin-top: 10px; text-align: center; width:...

Four Mammals Contemplating Sex

Dave Eggers

#gallery-4 { margin: auto; } #gallery-4 .gallery-item { float: left; margin-top: 10px; text-align: center; width:...

Body

Yann Faucher

#gallery-5 { margin: auto; } #gallery-5 .gallery-item { float: left; margin-top: 10px; text-align: center; width:...

Good Father

David J. Spear

‘My father was up early. Everything was in place: his books in their bag; each prayer and reading marked; his shoes shined, his shirt and collar, his cassock and cope pressed.’

Book Piracy in Peru

Claudia Alva

Claudia Alva’s photographs of an investigation of book piracy in Peru.

The Projects

Camilo José Vergara

‘Chicago was the first large American city I visited after I came to the United States from my home country, Chile.’

Cambodia’s Quest for Peace

Elena Lesley & Joel Rozen

Photographs accompanying Elena Lesley’s dispatch from Cambodia.

Chicago’s South Side 1946–1948

Wayne Miller

‘Miller’s images collected in Chicago’s South Side reflect the enormous variety of human experiences and emotions that occurred at a unique time and place in the American landscape.’

Censored

Bruce Connew

‘It was an isolated incident, and there had been no official or unofficial communication about it.’

Onboard the US Coast Guard Cutter Dallas

Michael Peel

Photographs from onboard the US Coast Guard Cutter Dallas.

The Nuba

Jack Picone & John Ryle

‘They show people denied access to markets that they enjoyed before the war, people impoverished by the fight to preserve their culture and to assert control of their territory.’