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Gaza, Mode D’Emploi

Eduardo Soteras Jalil

Eduardo Soteras Jalil photographs Gaza’s residents.

An (almost) perfect day

Anne De Gelas

‘I think of the self-portrait as a mirror of all the violence that befalls us.’

Observatoires

Noémie Goudal

In her series Observatoires, Noémie Goudal places stairs, pyramids and domes in natural, isolated, timeless spaces.

Download Errors

Nandan Ghiya

‘The moment I see these portraits, my first thought is: Let’s make it for suitable for the twenty-first century.’

Red Space: Promoting a Socialist Destiny

Justin Jampol

Space posters were ‘visually stunning representations of the promises of the Soviet state’.

Miracles

Francisco Goldman

The violence the retablos depict, the calamities of fate, weather, accidents or of illness, move us because they distil so powerfully what we already know all too well.

Mitakuye Oyasin

Aaron Huey

‘Today the Oglala Lakota live in the shadow of Wounded Knee on the Pine Ridge Indian Reservation.’

Primal Mountain

Yuji Hamada

‘In March 2011, the Great East Japan Earthquake occurred.’

Zone of Absolute Discomfort

Justin Jin

‘The icy hinterland is wretched to live in, but just hospitable enough to allow for the extraction of billions of tons of resources trapped beneath the ground.’

A Sparrow Fallen

Dave Heath

‘a sparrow fallen; / blackness of pain shimmering / hard in soft white light’

Olympic Drift: making way for the Games

Laura Oldfield Ford

‘Walking around the perimeter of the Olympic site has become an act of remembrance.’

Dutch Landscapes

Mishka Henner

‘There is of course an absurdity to these censored images since their overt, bold and graphic nature only draws attention to the very sites that are meant to be hidden.’

Pakistani truck art

Islam Gull

‘Truck artists transform village rickshaws, city buses and commercial trucks into a procession of moving colour.’

Body

Yann Faucher

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Mordros: The Sound of the Sea

Kurt Jackson

Kurt Jackson is an environmentalist, ecologist and one of Britain’s leading artists.

Netherley

Paul Farley

For Granta 102, Paul Farley and Niall Griffiths returned to Netherley, on Liverpool’s north-eastern rim and the fringes of rural Lancashire, and to what remains of the housing estate where they grew up.

A Mystery

Charles Jones

‘Charles Jones took beautiful photographs of vegetables, fruit and flowers.’

Die Hel

David Goldblatt

‘Die Hel is a remote valley in the Swartburg Mountains of the south-western Cape.’

Bucharest, 26 December 1989

Léonard Freed

Léonard Freed's photographs of Bucharest on 26 December 1989, in Granta 31: The General.

Dying Village

Vladimir Filonov

Vladimir Filonov’s photographs in Granta 30: New Europe!

Poland

Jill Hartley

Jill Hartley’s photographs of life in Poland for Granta 29: New World.

The Structure of Things Here

David Goldblatt

‘In our structures we South Africans tend to declare ourselves quite nakedly, sometimes eloquently, and rarely with dissimulation.’

Kwangju and After

James Fenton

‘Some people said they were not ‘with’ the students. They were not in favour of the use of arms. But they were of one voice in saying that the students were their sons, and that if the army came in the students would be put to death. That was why they kept saying: “Tell the truth about us.”’

Photographs from the North-West Frontier

Ed Grazda

Ed Grazda has been visiting the North-west Frontier Province since 1980, shortly after the Soviet invasion of Afghanistan.