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How to Take a Literary Selfie

Sylvie Weil

Sylvie Weil on what it means to take a literary selfie. Translated from the French by Ros Schwartz.

Tale of Human Adventure

Diane Williams

‘The whole experience of writing this was enjoyable, as is the entire seriousness with which I take myself.’ New fiction by Diane Williams

Grief in Moderation

Diane Williams

‘The tiny daisies were scored by the shadows of the slats of the venetian blinds and the stripes were shivering.’ Diane Williams.

Hammer

Adrian Van Young

‘I shift my weight right, where the hammer hangs down. Then left, then right, then left again.’

Natural History

Eva Warrick

‘Vita thought she saw a handgun in her father’s underwear drawer.’

A Woman Screaming

Saskia Vogel

‘I realized that neither revenge nor compulsive storytelling would release me from this pain.’

My Writing Playlist

Ed Vulliamy

Ed Vulliamy on the nine best songs to listen to while you write.

The Resurgence of the Monstrous Feminine

Hannah Williams

‘Despite the sheer and uncommunicable amount of violence enacted upon the female body throughout history, it’s woman as terroriser, as beast, that we keep coming back to.’

Four Poems

Mark Waldron

‘Just look at those nasty trees flaunt / their leaves, each one a tra-la-la.’

The Little Winter

Joy Williams

‘She remembered being happy off and on that day, and then looking at things and finding it all unkind.’

Shrinks

Edmund White

‘Self-doubt, which is a cousin to self-hatred, became my constant companion.’

How to Write About Africa

Binyavanga Wainaina

‘Always end your book with Nelson Mandela saying something about rainbows or renaissances. Because you care.’

All I Know About Gertrude Stein

Jeanette Winterson

‘The more I love you, the more I feel alone.’

Oval

Elvia Wilk

‘We’re trying to prove that it’s possible to live sustainably and not be such a freak about it.’

Two Poems

Yanyi

‘It murmurs beneath the crust of the ground, or a person who serves as the ground you stand on.’

Radicalisation in the Digital Age

Marc Weitzmann

Marc Weitzmann on how radicalisation happens in the digital age.

The Polyglot Lovers

Lina Wolff

‘When we were sixteen years old, I broke Johnny’s nose with the back of my hand.’

B-Road Encounter

Joff Winterhart

A graphic story by Joff Winterhart.

Three Poems

Miyó Vestrini

‘It was fake that your hugs were convulsive / and your furies unpredictable.’ Translated by Cassandra Gillig and Anne Boyer.

Hungerwinter and Liberation

Jan Vegter

Jan Vegter’s remarkable visual and written record of the Nazi occupation of the Netherlands, translated from the Dutch by Theo de Feyter.