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Model Reconstruction of Ancient Rome

Sandra Simonds

‘Here I am. Sephora, symbol of stolen work.’

Mother’s House

Raja Shehadeh

‘It was her last service, last sacrifice, to a husband who required so much from her throughout their life together. But we could not succeed.’

Introduction

Sigrid Rausing

‘The pieces in this issue of Granta are all concerned, in one way or another, with the difference between the world as we see it and the world as it actually is, beyond our faulty memories and tired understanding.’

Traces II

Ian Teh

‘I am interested in the dissonance created between the ambivalent images and the historical, economic and scientific narrative that accompanies them.’

Possession

Bella Pollen

‘The brain is a bureaucratic organ with an almost neurotic determination to balance its books. To account to the department of logic for terror, it calls on the office of imagination to conjure up a worthy vision.’

Performance Art

Manjula Padmanabhan

‘A single pod of cardamom! Was that enough? To flavour an entire life’s pot of time?’

Ghachar Ghochar

Vivek Shanbhag

‘That single moment’s intensity hasn’t been matched in my life before or since. A woman who I didn’t know has chosen to accept me, in body and mind.’

Vinod Kumar Shukla: Two Poems

Vinod Kumar Shukla

‘The truth is, though no one says it, / They’re all worried about their children.’

A Woman’s Worth

Rajeswari Sunder Rajan

Rajeswari Sunder Rajan on the evolution of feminist judgments in India.

To Recall, To Praise

Spencer Reece

‘What would follow for five years was one of my last relationships forged through letters.’

Look Out, Narendran!

Subha

A madman is dead set on blowing up the Taj Mahal, and there’s only one pair of detectives who can stop him. Tamil Pulp Fiction at its best.