In spite of fashion and a smoking band the ‘brotherhood of the briar’ proves largely unflappable


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‘It was as though, after a period of wariness, my pipe had warmed to me.’
In spite of fashion and a smoking band the ‘brotherhood of the briar’ proves largely unflappable
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‘I alone know a running stream
that is recovery partly and dim sweat
of a day-fever’
A poem by Rowan Evans.
‘Humour is a thread we hang onto. It punctures through the fog of guilt.’
Momtaza Mehri in conversation with Warsan Shire.
‘Something shifted in me that night. A small voice in my head said, maybe you can make a way for yourself as a poet here, too.’
Mary Jean Chan in conversation with Andrew McMillan.
‘There was to be an exhibition. There were lots of pictures like his, apparently – of waiters, pastry cooks, valets, bellboys.’
An essay by Jason Allen-Paisant from Granta 159: What Do You See?
‘I have started to see that nothing is itself’
A poem by Jason Allen-Paisant from Granta 154: I’ve Been Away for a While.
Andrew Martin is a freelance writer living in London. He is the author of nine detective novels and four non-fiction books including, Ghoul Britannia, Notes on a Haunted Island, Underground, Overground: A Passenger's History of the Tube and most recently, Flight by Elephant, World War II's most Daring Jungle Mission. ‘The Rollercoaster Champion of the World’ appeared in Granta 79.
More about the author →‘At the moment, I would say that depends what you mean by ‘believe’ and what you mean by “God”’
‘Q: When is a factory not a factory? A: When it’s a chocolate factory.’
‘As he spoke, I thought how much Richard himself looked like a flyer: at forty-three he is symmetrical and compact, like Scott Tracy, the handsomest of those idealized pilots in Thunderbirds.’
‘Four Organs allows us to step out of time and briefly inhabit infinity.’
Maartje Scheltens on Steve Reich, repetition and discomfort.
‘At the entrance to the gynaecology clinic, I ring the bell.’
Fiction by Agnes Chew.
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