‘Master Peachling,’ called a pheasant, ‘Where are you going?’
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‘Master Peachling,’ called a pheasant, ‘Where are you going?’
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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
David Peace is the author of the Red Riding Quartet, GB84, The Damned Utd, Tokyo Year Zero, and Red or Dead. He was one of Granta's Best of Young British Novelists in 2003, and has received the James Tait Memorial Prize. He lives in Tokyo.
More about the author →‘When we talk about history, the dangers of embellishment, fabrication and wilful distortion are ever-present’
‘The song, the voice, and the heat; men on their knees, heads in hands, sobbing and now howling.’
‘The finance officers read the answers in silence, then returned them to be burned.’
‘How far can one deviate from the accepted pieties before one is kicked out?’
Brandon Taylor on naturalism and the future of fiction.
‘It occurs to me then that he has not invited me for dinner, but my alter ego from the page.’
Tabitha Lasley on writing and dating.
‘She squinted, sighed a conflicted sigh and then unleashed another profanity, only this time against the rain.’
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