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‘He was conscious of something that had been growing in him as he walked here alone on Rimroad: some dark unreasoning paranoia.’
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‘I alone know a running stream
that is recovery partly and dim sweat
of a day-fever’
A poem by Rowan Evans.
‘Humour is a thread we hang onto. It punctures through the fog of guilt.’
Momtaza Mehri in conversation with Warsan Shire.
‘Something shifted in me that night. A small voice in my head said, maybe you can make a way for yourself as a poet here, too.’
Mary Jean Chan in conversation with Andrew McMillan.
‘There was to be an exhibition. There were lots of pictures like his, apparently – of waiters, pastry cooks, valets, bellboys.’
An essay by Jason Allen-Paisant from Granta 159: What Do You See?
‘I have started to see that nothing is itself’
A poem by Jason Allen-Paisant from Granta 154: I’ve Been Away for a While.
Biram Mboob was born in the Gambia in 1979. His work has appeared in a number of magazines as well as in a number of anthologies, including Tell Tales and Dreams, Miracles and Jazz. He lives in South London.
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‘Our imaginations are in service to the wrong ends.’
Olivia Laing and M. John Harrison on the commodification of the imagination.
‘I want the reader to be conscious of reading and not being just drawn into the book and forgetting themselves and forgetting their life.’
Claire-Louise Bennett on her novel Checkout 19.
‘Fiction, even if it’s completely made up, does say something about how you experience reality.’
Mary Gaitskill talks about her book The Devil’s Treasure.
‘No person or doll had anatomy like that. It was, she reasoned, some mistake, a dud in the assembly line, but something about it felt special, auspicious.’
A story by Adrian Van Young.
‘It has nothing to do with the question of the foreigners. No one in Eisenhuttenstadt wants the foreigners here.’
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