Today, my brothers, Mohammed and Rubel, are going to foreign. Mohammed is going to Africa and he wears a very handsome uniform.
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Today, my brothers, Mohammed and Rubel, are going to foreign. Mohammed is going to Africa and he wears a very handsome uniform.
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‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
Tahmima Anam is the author of the Bengal Trilogy, which chronicles three generations of the Haque family from the Bangladesh war of independence to the present day. Her debut novel, A Golden Age, was awarded the Commonwealth Writers' Prize for Best First Book. It was followed in 2011 by The Good Muslim. The final instalment in the trilogy, Shipbreaker, was published in 2014 by Canongate in the UK and HarperCollins in the US. She lives in Hackney, east London, with her husband, the musician and inventor Roland Lamb.
More about the author →‘Two ways a man can go here, in the direction of God or the direction of believing there is nothing up there but a sun that will kill you whether you pray five times or not.’
An interview with Tahmima Anam, one of Granta's Best Young British Novelists.
Tahmima Anam shares a playlist of songs to write to.
‘If I had known it would put a continent between me and my children I would have killed that map-maker myself.’
‘How far can one deviate from the accepted pieties before one is kicked out?’
Brandon Taylor on naturalism and the future of fiction.
Winner of the Commonwealth Writers Short Story Prize for the Pacific region.
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