Photograph © Internaz
Binyavanga Wainaina talks to Ellah Allfrey about meeting the expectations of an African readership and what to do with a bad review.
Photograph © Internaz
‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
Binyavanga Wainaina was the founding editor of Kwani?, a leading African literary magazine. He won the 2002 Caine Prize for African writing, and has written for Vanity Fair, Granta and the New York Times. He passed away in 2019 in Nairobi at the age of 48.
More about the author →‘My first name, Binyavanga, has always been a sort of barometer of public mood.’
‘Always end your book with Nelson Mandela saying something about rainbows or renaissances. Because you care.’
After a sudden stroke, Binyavanga Wainaina and his lover travel to Nairobi to reconcile with his father.
‘We are, it seems, in the middle of nowhere.’
‘How far can one deviate from the accepted pieties before one is kicked out?’
Brandon Taylor on naturalism and the future of fiction.
‘Late that night Marcos came on the television again, and whereas in the previous press conference he had maintained a gelid calm, now he was angry and almost out of control.’
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