Narcopolis by Jeet Thayil is published by Faber & Faber.
Photograph © Basso Cannarsa
Jeet Thayil talked to online editor Ted Hodgkinson about being shortlisted for the Booker, the images of Christ woven into his novel Narcopolis and an unexpected digression on Blade Runner.
Narcopolis by Jeet Thayil is published by Faber & Faber.
Photograph © Basso Cannarsa
‘I alone know a running stream
that is recovery partly and dim sweat
of a day-fever’
A poem by Rowan Evans.
‘Humour is a thread we hang onto. It punctures through the fog of guilt.’
Momtaza Mehri in conversation with Warsan Shire.
‘Something shifted in me that night. A small voice in my head said, maybe you can make a way for yourself as a poet here, too.’
Mary Jean Chan in conversation with Andrew McMillan.
‘There was to be an exhibition. There were lots of pictures like his, apparently – of waiters, pastry cooks, valets, bellboys.’
An essay by Jason Allen-Paisant from Granta 159: What Do You See?
‘I have started to see that nothing is itself’
A poem by Jason Allen-Paisant from Granta 154: I’ve Been Away for a While.
Jeet Thayil was born in Kerala, India in 1959 and educated in Hong Kong, New York and Bombay. He is a performance poet, songwriter and guitarist, and has published four collections of poetry. He is the editor of The Bloodaxe Book of Contemporary Indian Poets (2008). His debut novel Narcopolis was shortlisted for the Man Booker Prize. He currently lives in New Delhi.
More about the author →Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →‘Quitting drugs – what an idea. How final and unaccommodating. Like being left without faith or protection in a pagan world.’ An extract from Jeet Thayil’s Low.
‘To read Baudelaire, he said, is to gather up the world and bring it inside.’
Jeet Thayil on remembering Baudelaire in Paris and Cochin.
‘How far can one deviate from the accepted pieties before one is kicked out?’
Brandon Taylor on naturalism and the future of fiction.
‘I want the reader to be conscious of reading and not being just drawn into the book and forgetting themselves and forgetting their life.’
Claire-Louise Bennett on her novel Checkout 19.
‘From a series of linked couples they become one continuous wave, larger all the time.’
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